AKAA is committed to continuing to foster and develop dialogue and exchange between the public and all players in the art world. This will be the focus of the talks and panel discussions taking place from Friday, October 23 to Sunday, October 25, across various spaces throughout the fair at the Carreau du Temple.
The cultural program on Friday, October 23 at the Carreau du Temple auditorium is open to everyone and free of charge.
Auditorium, Carreau du Temple – 2 Rue Perrée, 75003 Paris
A panel discussion moderated by Armelle Malvoisin, journalist, art critic and curator, with:
Are traditional collectors of African art, generally driven by a deep interest in Africa and its spirituality, receptive to contemporary artistic practices from the continent? Conversely, do modern art enthusiasts who, influenced by Primitivism, collect iconic African objects, develop an interest in modern and contemporary African art?
To what extent can bridges be built between these different areas of collecting? Which contemporary artists are most likely to resonate with the sensibilities of collectors of classical African art? Are they artists who reinterpret traditional forms and references, or, on the contrary, those who move away from them to develop a distinctly contemporary and international visual language?
In French
A conversation with artist Amadeo Carvalho at the heart of the fair.
The Face to face programme was created to foster a special connection between the public and the artists exhibiting at the fair. For around forty minutes, artists and gallery representatives engage in an open and informal conversation with the audience, offering an intimate and unique opportunity to discover their work and artistic worlds from a different perspective.
In English.
A panel discussion moderated by Marie Diehl, Head of Operations at the Metis Arts and Development Fund, supported by the French Development Agency (AFD), which develops programmes bringing together art, creativity and social issues.
In french.
A conversation with artist Midegbeyan Ojisua at the heart of the fair.
The Face to face programme was created to foster a special connection between the public and the artists exhibiting at the fair. For around forty minutes, artists and gallery representatives engage in an open and informal conversation with the audience, offering an intimate and unique opportunity to discover their work and artistic worlds from a different perspective.
In English
A conversation with artist Rachel Malaika at the heart of the fair.
The Face to face programme was created to foster a special connection between the public and the artists exhibiting at the fair. For around forty minutes, artists and gallery representatives engage in an open and informal conversation with the audience, offering an intimate and unique opportunity to discover their work and artistic worlds from a different perspective.
In French.
To close this edition, we invite you to join a conversation exploring Identity and Censorship, with Frédérique Chapuis, journalist, author and curator, particularly known for her work on African photography, and Gabriel Dia, a Senegalese photographer who, through self-portraiture and series such as Sabar, explores his relationship with his identity and Senegalese culture, questioning in particular the gender norms surrounding certain traditional practices.
In French.
A conversation with artist Tania Arancia at the heart of the fair.
The Face to face programme was created to foster a special connection between the public and the artists exhibiting at the fair. For around forty minutes, artists and gallery representatives engage in an open and informal conversation with the audience, offering an intimate and unique opportunity to discover their work and artistic worlds from a different perspective.
En français.
International success has brought the haunting melodies of morna, a form of Cape Verdean blues, to the world stage, with Cesária Évora as its undisputed queen. The film by Anaïs Prosaic and Eric Mulet, carried by the swaying rhythm of the waves, mirrors Cesária herself: generous and enigmatic.
Notre Mémoire is a short film by filmmaker and producer Johanna Makabi: “Mbissine Thérèse Diop was the lead actress in Ousmane Sembène’s first film, Black Girl. As a young Senegalese film student, I discovered her face on the big screen. Together, we revisit her experience as a Black actress in the 1960s.” — Johanna Makabi
In French with English subtitles.
Black Girl (La Noire de…, 1966), Ousmane Sembène’s first feature film, follows Diouana, a young Senegalese woman who is hired as a domestic worker by a French couple in Dakar. When she travels with them to Antibes, she finds herself confined to their apartment, where she is expected to perform all the household chores. Isolated and subjected to racism and humiliation, Diouana becomes increasingly disillusioned with the life she had imagined in France.
Through Diouana’s tragic story, Sembène explores the legacies of colonialism, the unequal power dynamics between France and Senegal, and the experiences of African migrants in postcolonial France. Starring Mbissine Thérèse Diop, Black Girl is widely regarded as a landmark of African cinema.
In French