Visual arts in landlocked territories: what art alternative models to create, exhibit, and exist?

A panel discussion moderated by Vanessa Tess Odongui-Bonnard (Gabonese Visual Artist and Curator) :

• • • Armelle Malvoisin, Journalist, Art Critic and Curator
    • Julie Mvie, Photograph artist
    • Mélinée Faubert, Artistic Director, Scenographer and curator
    • Mae Woolworth, Director of Cultural Engineering at Manifesto

In a context where major capitals and cultural institutions concentrate visibility and resources, largely shaping the global art market, so-called “landlocked” territories represent both a challenge and a field of experimentation for creatives. How can artists create, exhibit, and sell in spaces where infrastructures and access to collectors—both locally and internationally—remain limited?

Often perceived as disadvantaged, these contexts are in fact unique grounds for creative exploration, fostering new narratives, unprecedented aesthetics, and innovative local dynamics.

This panel discussion will draw in particular on the experience of the DUVANGU project, carried out in the abandoned premises of the former French Embassy in Libreville. Conceived as a laboratory for artistic research, DUVANGU transcends geographical and institutional isolation through artist residencies, temporary exhibitions, and participatory initiatives.

Throughout this discussion, we will explore concrete strategies for building viable artistic ecosystems beyond the major centers, encouraging investment in the cultural sector, and strengthening the presence of these scenes on the global art map.

In french.